Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

17 September 2024

Public Art in The City of London – Sara Barker at Angel Court

Angel Court echoes an ancient path that today links Throgmorton Street to Copthall Avenue between high-rise glass office buildings. During Lockdown, whilst wandering the City of London's quiet streets on a hunt for works made by women (working title: Formed by Females*) I tracked down two metalwork sculptures created by Sara Barker in 2017. 

Earlier this month I revisited these works and took these photos. First, 'Selvedge With Dark' at the Throgmorton Street end. I really like the subtle interplay of the overlaid flat mesh panels. I am a sucker for a grid pattern.

At the other end of Angel Court, high of the wall is this piece called 'Last of Light (Three Needles)' which references the old name of nearby Three Needle Street (Threadneedle St):

*The whole point of this had been to highlight how few pieces of pubic art have been created by women. Well, it turns out there are lots!  For instance, across the metropolis, we also have excellent works by Frick, Hambling, Jonzen and Hepworth to name just four and, also in the City, between Cannon Street and Queen Victoria Street, is one of my favourite pieces (actually three large pieces) 'Forgotten Streams' by Cristina Iglesias here – you might recall her similarly excellent installation in Burlington House courtyard as part of the RA Summer Show 2022.

4 July 2023

Remnants of Rachel Whiteread's 'House' on Wennington Green, Grove Road, East London

Wandering westwards along Roman Road recently from its welcoming arch at the Parnell Road seeing how the road has evolved from the wonderfully scuzzy and diverse market street I used to know in the 1970s when my friend's family lived nearby, I arrived at the junction of Grove Road and pondered whether to carry on to Bethnal Green, head south to Mile End, or go for wander along the canal to Hackney. There's lots to see here. Instead, I entered the green space opposite the St Barnabas church and revisited a patch of art history. 

Scrutinising the ground, I found what I was looking for. A couple terracotta bricks in an L shape were partially obscured by the grass so I scraped away at the area with the soles of my shoes to better reveal them, then repeated the process at other spots close by.

These are some of the bricks that indicate the outline of where Rachel Whiteread's 'House' used to be, at what was No.193 Grove Rd. To see the original house and the artwork's construction see this film on YouTube. It was here in 1993, that this major artwork was demolished as Rachel won the Turner Prize that year

For the life of me I still cannot fathom how that decision was made – the demolition, not the winner of the Turner Prize! It's akin to the destruction of the Art Deco Firestone Factory in West London. Had 'House' been on land that was earmarked for development and reconstruction then I might understand that its removal was necessary. But today there's just a large expanse of mown grass mostly used by dog walkers. 

30 years ago Rachel's star was in ascendance, yet a bad decision was made to remove her innovative and thought-provoking sculpture. It always seems to me in these situations that no-one wants the 'responsibility' to be the one who authorises a controversial decision that might rock the boat. No-one wants to be the person who instigates a U-turn. The powers that be, the pen pushers, the jobsworths, the complainers, the people unable to see further than their noses, the people who just do what they are told, the contractors, the "it's out of my control, I've got a bit of paper" people who justify themselves by carrying out orders and not being personally responsible for these things. All exacerbated by non-thinking fools who just repeat whet they see in the tabloids about an 'ugly lump of concrete' yet rarely do readers visit the project themselves or attempt to understand the rationale, the meaning, the relevance to local and social history that is being told.  

People who did notice me taking pics and pacing out the ground simply looked at me like I was a bit bonkers. Which I'll accept! Had they known what I was doing I am sure they'd have come over for a chat as I was being rather obvious about it.  Ah Well. What's gone is gone. All that's left, three decades later, is a few bricks in the grass, but there's no explanation for them. I had expected to find something of that kind attached to one the benches that sit in the long grass within the plot, but no. 

Something else I noticed that day, which I thought was bizarre, was the nearby two picnic benches: 

These both had small cushions on them at the corners (not fixed in place) and one had a briefcase at one edge and a clip board at the other. It looked a bit religious, as if some people had just had a meeting and then wandered off, leaving their stuff behind. Is it always like this? Or was it just on that Saturday?

Then I noticed, between the adjacent bushes, some remnants of cushions and other food-related rubbish, plus a discarded Tigger stuffed toy. Looks like a dog had attacked a family picnic! 

What's that all about?!




12 April 2020

The Changing Face of London – coming soon in 2000

One of the things I have been busying myself with during this period of lock-down and enforced islolation is a concerted effort to sort out, tidy up and/or get rid of a lot of the stuff I have managed to amass over the years.
So far I have rediscovered old diaries from my schooldays (hilarious reading!), alphabeticalised my music CDs, sorted my books into themes, watched a lot of the old films I'd recorded off the TV and forced myself to dismantle, crush and recycle lots of old cardboard boxes that up until now I just couldn't part with because "ooh, such a nice well-made box, that'll be useful one day". These I had saved like huge cuboid faceless Russian dolls.
During this declutter I found a large envelope full of cuttings from magazines and newspapers that hadn't as yet made it into my 'things that interest me' display books. I haven't updated that project for over a decade. I am very good at starting one thing and then getting distracted by another. Hence the many half-finished jumpers, jewellery, needlepoint, paintings and ideas for clay pipe fragments.
Oops – I've gone off on a tangent again...!
So, to the point...
I found this column torn from Time Out magazine, Feb 1994 – a list of the building projects expected in central London by 2000:
Rumours of a Museum of Modern Art somewhere on the Southbank
Interesting huh?!

When this virus is under control and we are given the 'all clear' it will also apply to the inside of my home. I can't be the only one having a major Spring clean – the charity shops will be inundated when they re-open and crying out for extra volunteers. Meanwhile, I am free-cycling – my neighbours have been snapping up the books and unwanted items that I have been leaving on the garden wall.
Stay safe and healthy.


29 March 2020

Endangered Species by Barry Baldwin on Grand Buildings

Blimey!  How did I not notice this until last year?
Trafalgar Square is a busy junction that I usually walk through or round quickly as I play 'dodge the tourists' but last summer I stopped in my tracks when I noticed something for the first time that's been there hiding in plain view since Feb 1991 – the entrance between Prezzo and Waterstone's at 31-32 Northumberland Avenue is absolutely slathered in marvellous details. 

Around this arch there are panels containing Adam and Eve surronded by seventy different animals from all around the globe such as a gorilla, an owl, a lizard, a bear, a zebra, various birds and sea creatures. And, as you can see from above, there are flowers, plants a trellis and a factory too. A hand at the apex of this arch appears to hold a horn of fruit. And there is watch on its wrist which I told is showing 'the eleventh hour'.
Three pics stuck together here
I hunted for an artist's mark but all I could find was a foundation stone for the building showing that Grand Buildings is a Land Securites development by architects Sidell Gibson Partneship, constructed by Higgs and Hill on the site of The Northumberland Hotel.
The archways continue to the beginning of The Strand and each one has a different carved head at the top. Some are winking, some are gurning, one wears a tie, another has a spotty scarf, all are rather strange. I am at aloss as to who these people are supposed to be.

I always like to end with a link for more information. Well, blow me down if my mate Peter Bertoud has also written about this and begins his piece with practically the same opening line!

Barry Baldwin
Barry Baldwin's Facebook page

27 May 2019

Abstract street art

Sometimes a wall need to be patched or graffiti needs to be obliterated.
But the paint originally used for the wall or fence might not be available and so another one that doesn't quite match or a completely different shade is used.
The end result often can look like abstract art.
I just love some of the results. Some of these would be good as carpets.
Here's a selection.

Parkhurst Road, N7.
Rowstock Gardens, N7
Rowstock Gardens, N7


Old Street, EC1
Dalston, E8
Bowmans Mews, N7

13 August 2018

Drink Prosecco on the Regents Canal and Save the Swans

On Saturday 15th September 12-2pm, please come and join us for a 2-hour boat trip on Freda, one of Hidden Depths' narrow boats that moors on the Regents Canal at Granary Square Steps, Kings Cross.

Denise's lovely hand-drawn sign
The trip has been arranged to raise money to pay for the continued care of sick and injured swans at the wonderful Swan Sanctuary in Shepperton.
All monies raised will go to the Swan Sanctuary – Hidden Depths is waiving the boat hire fee and we are hoping to raise around £1,000.
The guided tour with free Prosecco will depart Granary Square steps at 12 noon and will travel twice through the 200 year old Islington Tunnel.
Come and find out more about this historic section of the Regent's Canal whilst sipping some fizz and enjoying the eerie, yet calmingly quiet experience of the tunnel. Along the way you'll hear about art, innovation, engineering, ice, coal, shopping and, of course, swans.
Islington Tunnel

Tickets cost £25 per person – the boat holds a maximum of 42 so to secure your place please call Barbara on 07456 084584.

Hidden Depths' narrow boats can be hired for all sorts of private parties and occasions. Guided tours also available*.


2 February 2018

Islington on Canvas – Art from the Archives

There is a wonderful exhibition on at Islington Museum at the moment – a gallery of paintings of locations throughout my borough.
Last Saturday I joined the free walk led by CIGA guide Karen Lansdown and to hear about some of the paintings on display and identify the locations they depict.

Karen in action and some of the paintings
Another walk is scheduled for Saturday 10th and this will be led by fellow CIGA guide Jen Pedler.
The walk lasts 90mins and is free  – but booking is essential.
The exhibition is on until 24 February 2018.

21 November 2017

Melancholia: A Sebald Variation – an exhibition at Somerset House

Melancholia: A Sebald Variation is a marvellous thought-provoking exhibition hidden away in the Inigo Rooms within the East Wing at Somerset House.
It's really worth checking it out. I stumbled upon it by accident last month and ended up spending quite a while in there.



The exhibition, presented by King’s College and curated by John-Paul Stonard and Lara Feigel, takes the writings of W.G. Sebald (1944-2001) as a starting point for an exploration of melancholia in European art and culture. Inspired in particular by Sebald’s 1997 publication On The Natural History of Destruction, this exhibition sees works by international contemporary artists set alongside images documenting the destruction of Germany in WW2, as well as W.G. Sebald’s own manuscripts and peculiar photography collection.
Highlights include: Albrecht Dürer’s famous print Melencolia I (1514) which is on loan from the British Museum, never before exhibited photographs by Anselm Kiefer, made in the 1980s, depicting aircraft constructed out of sheets of lead taken from the roof of Cologne cathedral,  Tacita Dean’s Our Europe and eye-witness drawings by Wilhelm Rudolph of the smouldering ruins of Dresden here in Britain for the first time. There are also some works that have been specially commissioned for the exhibition.
Make sure you have the time to watch Guido van der Werve’s award-winning endurance-art film project Nummer Vierteen: Home, 2012 – a fabulously compelling piece that lasts 50 minutes – it's worth finding out what time the screening starts so as to be able to see it from the beginning. And I'd also recommend taking time to watch the video of an interview between W.G. Sebald and Susan Sontag.
Until 10th December 
Tues–Sat: 11:30–17:30
Wednesday lates until 19:30
Sundays 14:30–17:30

19 October 2017

Whittington Park Cafe – colourful, tasty and great value for money

Wandering through Whittington Park yesterday morning on my way home from my osteopath I popped into the Whittington Community Centre on Yerbury Road to drop off some leaflets about my walks but with a rumbly in my tumbly I decided to stop for sustenance in the cafe.
And I am so glad I did – I am quite fussy about my coffee – I like it strong and black and usually ask for a double espresso with hot water on the side so I can top it up to just the right mount. The lovely lady behind the counter did that for me and it was perfect. Add a slice of the most delicious bread pudding ever and the bill was a measley £3.00.  Why do people frequent chain cafés when fab places like this are so much nicer, so much friendlier and so much better value for money?


My pics here do not do the place justice – lots to do, lots to see and all in the lovely setting of Whittington Park.
Click here to find out more info about the community centre.

5 October 2017

Take One Picture – creatve inspiration for schoolchildren at The National Gallery

My last post was about the Degas exhibition at the National Gallery. If you do go to see that, or even if you don't, walk through the adjacent gift shop where some excellent and competitively-priced Degas-themed merchandise is available, to a room full of art made my schoolchildren.
When visiting the National gallery I often see groups of small uniformed people sat in front of a painting listening to a teacher, or engaged in making their own drawings, and I wonder what they are up to. Well, now I understand what's going on; it appears children are shown a painting (this year it's A Roman Triumph by Peter Paul Rubens) and are then encouraged to write about and/or create some kind of art based on their observations. 

Marvellous artwork across the ages. I especially love the elephants and the white ceramics. Bottom right is from a video where children are performing a play inspired by the sacrifice and slaughter depicted in Rubens' painting.
The cross-section of results shown in this room is delightful and shows we have some great future artists running around our playgrounds.
Take One Picture was launched in 1995, yet stumbling on this room last week was the first I knew about it. Probably because I don't have children. I wish similar things were available when I was a child. I'd have been proverbial pig in the dirty stuff.
Lots more educational stuff in the Learning section of the National Gallery's website.

29 September 2017

A View of St Pauls from Bankside – 1917 and 2017

Earlier this year I bought a marvellous trial proof of an etching by Leslie Moffat Ward, entitled "Before St Paul's". It shows the a 1917 view of St Paul's from Bankside.
That means it's one hundred years old.


Intrigued by this major milestone I took some photos in an effort to compare Leslie's view with what we have today; first from the riverside and then from the terrace at that arty place.
On that day I had been to see the Giacometti exhibition which I was sad to discover was ultimately disappointing – so much repetition. It appears the poor man got stuck in a rut.
As for the converted power station, I have written about it in the past – it has now been open for 17 years and still there is no signage to direct the visitor to where the bloody art is and still it feels foreboding like an institution or cold-hearted work environment. It's a vast shed of a place with no humanity. And when you buy your tickets that's all you get; a ticket. No verbal directions, no leaflet – just a diagram on the wall that looks like something from the Crystal Maze.
I really don't like that art has to be commissioned to fill the central space. I am told that the "ooh look at me; I'm so arty and deconstructed" extension at the rear offers great views (yawn) but in my view they wouldn't have needed to spend all that dosh on a damn extension had they made proper use of the gaping hole in the building that's already there.
Grr.
Breathe.
Back to Leslie Moffat Ward – that's art that is. Back to the comparison images – look at how busy the foreshore was back then compared to today's view – gone are the boats, the workmen and almost all of the old riverside buildings. I find this such a shame. I would love to be able to time travel for a while to see and experience for myself what it was like back then.
It's been commented how similar in style Leslie's work is to his contemporaries, namely William Lionel Wyllie, Noel Woodward Spencer and William Walcot.
Many other lovely etchings, sketches and paintings can be found at Atelier – the gallery specialises in artworks that feature London, as well as Paris, New York and Venice and the Channel Islands (the gallery is in Jersey). On the same day I purchased the LMW proof I also snapped up a wonderfully evocative Longstaff etching of Trafalgar Square.
I am really tempted by a few others... see you at the next art fair...

13 June 2017

The Banksy Job

Last night I went to the preview screening of The Banksy Job, an often hilarious film about the thefts of a Banksy statue that he had based on Rodin's The Thinker which stood for a while at the north end of Shaftesbury Avenue.

Before and after which included a Q&A session – Andy/AK47 is in blue.
I am not going to give too much away here (see the link to the trailer below if you like your films squished), but this true story spans a decade and centres around a tit-for-tat feud between AK47 (Andy Link) and Banksy about signatures and ownership.
The film will be available to purchase through iTunes, Skystore, Amazon, Googleplay, Virgin and Microsoft from Monday 19th June.
Enjoy... AK47, the man behind it all, is a joy to watch.

19 May 2017

Get up close to the Painted Hall ceiling at Greenwich ORNC – plus a tip for good cheap food

I can't recommend this enough.
The marvellous Painted Hall ceiling with the Old Royal Naval College buildings is being cleaned and conserved. Miles and miles of scaffolding have been erected within and guided tours are available so we can climb to the top and see the artwork up close.
The guided tour I went on last week was excellent – our guide explained so much about the history of the building and the meanings behind the imagery.
Absolutely fascinating and gorgeous too. It's a must-see.

See top right for some of the damage – it's hoped that the conservation work will last another 100 years before the next clean up
The quality of the wood carving is also amazing – see the hand bottom left and the head of a pollaxe at the centre 
My friend in the pics has written a much better account of this place. Click here.
Check out the availability for future tours here plus how to sponsor a section of the work.

And here's a good tip for where to eat in Greenwich – very close to the Painted Hall, at the far end of the Chapel building, there is a very good, and I mean very good, cafe/student refectory which is open to all and serves excellent choice of hot and cold food, yummy cakes and drinks all at normal prices. Being part of the university they aren't allowed to advertise so I told the friendly staff there that I'd give them a mention.
The unobtrusive entrance to the cafe is almost hidden at the at the eastern end of the ORNC complex opposite Park Row gate facing a building that has a strange frieze at the top depicting amongst many things a lion with a serpent's tail – see below (needs more research).
Map of the area

16 May 2017

A tour of The Society Of Antiquaries, Burlington House, Piccadilly

As you enter Burlington House courtyard heading for the latest art exhibition at The Royal Academy, look left to see the doorway to The Society of Antiquaries – and then go inside and book yourself on a tour because it's one of London's little known gems and it's fab.
Here are some taster pictures of my recent visit.


Lots of marvellous paintings and one portrait is of Richard III fiddling with his ring. Oh please! Titter ye not. That's exactly what the guide told us.
Plus shelves and shelves of old beautiful leather books and a multi-level library. On the day I was there we were shown some pages in a huge scrapbook containing exquisite ephemera and illustrations relating to the Duke Of Wellington's funeral.
I visited with the London Historians – if you would like to find out more about LH just click here and if you are tempted to join (and why not, it's also fab) and first heard about LH from me here then please mention my name/site as there are discounts available for recommendations. Thanking you in advance.
Now to ponder the pronunciation of 'antiquaries' ... it's an-tik-warries, as opposed to 'antiquarian' which is pronounced anti-kware-ian. Go figure.
Isn't english fun?!

25 January 2017

Winter Lights at Canary Wharf until Friday 27th January

There are still three evenings left to see this (including today).

Some of my pics from last night. 
Some of the light installations are wonderful including many of those in Crossrail Place Level –3 (a pain to find, but worth the effort), the mesmerising musical balls on sticks which I loved at Kew last month, the gorgeous ova, the clever water word drop.
We didn't manage to see everything. And, as a friend said some of it is "underwhelming", but I think that's what makes the good things even better.
One of my favourite stops was the simple and very effective horizontal fence created by joining about eight trees in a zig zag using different widths of tape which was then highlighted by ultraviolet lights:

Other people were doing the selfie thing so I joined in and found that if I stood directly in front of the lights I could make myself look very attractive indeed.


Check the site for the actual names, creators and info

17 January 2017

London Art Fair 2017, Business Design Centre, 18-22 January

Later this week Islington's old Agricultural Hall will again be the location for the London Art Fair, crammed full of all sorts of inspirational work, both old and new.


I make sure to visit at least once each year because there is so much to take in – this is not a nip in for one hour event as it is so varied.
My friend and I like to walk around slowly, taking it all in, spending imaginary vast sums of money on works of art for our imaginary reception rooms, guest wings and conservatories, though I have actually spent real money there – it's hard not to be tempted and, after all, a thing of beauty is a joy forever.

26 August 2016

The Serpentine Gallery Pavilion 2016

Last Monday, prior to the RA Summer Show, I spent a lovely birthday day in glorious sunshine Kensington Gardens and Hyde Park and got to see Bjarke Ingels' marvellous pavilion outside the Serpentine Gallery.

This one is particularly good I think. It's a beautiful, yet simple, structure and has a function – there is a cafe within it.
A short stroll away there are some other smaller pavilions worth checking out:


Until 9th October.
More info here.

18 August 2016

Royal Academy Summer Show 2016

On Monday I went with a friend to this year's Summer Show at The Royal Academy. It's an annual tradition; every year we I try hard to choose our favourite pieces in each room, money and space no object. This year we found it harder than ever to fill our large imaginary houses.
Every year I hope the selectors, judges, curators or whatever they are called might have removed themselves from the kindergarten our out of the arses of the RA artists, but no. This year seemed to be full of more poor stuff than ever before.
It's arranged differently. That seemed to good on first impression but our optimism subsided. Rooms that used to be jam-packed floor to ceiling have gone, one room is totally filled with not for sale works by the same artist like some kind of showcase for them, there are hangings for artworks high above the doors when I doubt they are even noticed, and as mentioned lots of super-expensive pieces with silly price tags on them.
Rows of dots on some artworks begged the question, was this a named artist like Tracey Emin or something so cheap (i.e. under £400) that people who go there intent on buying something have scant choice?
Sigh. There's always next year...
Here's my account from 2013
Below are some of the things I did like including, at the centre, one of the metal grilles on the floor:

The orangutan's face sort of says it all – furry muff, egg on his face, screw it!
Hurry hurry hurry... see for yourself – ends next weekend!!! More info here.

One of the best things there is in the courtyard off Piccadilly and is free to see – Ron Arad's "Spyre' – a marvellous and mesmerising tall metal kinetic sculpture.

14 June 2016

Winifred Knights at Dulwich Picture Gallery

This lovely exhibition in a lovely location displays of the work of the marvelously talented Winifred Knights; an artist, until, last week I had never known about.
All works by MK except bottom left which is a portrait of her by another artist
Well worth a visit.
More info here.
Enjoy

18 April 2016

A mooch around the meridian – Greenwich Peninsula and the O2

The plan was, as the tide was so low last weekend, to go and investigate the foreshore around the Greenwich Peninsula. But as we came off slip way we could see it was horribly slimy and muddy.


Jen, Brian and Malcolm ventured further along the water's edge for a bit but I decided it wasn't worth the effort as did Caroline and Liliana. We three waited by the mass of tide-swept rubbish which included far too many plastic bottles and hundreds of those shiny metal cream frothing capsules that are being used for other things these days.


We then walked clockwise around the O2 along The Olympian Way (part of the Thames Path) stopping to look at some of the "art" along the path. By which I mean most of it is rather confusing. These artworks, which are part of The Line, include some large mannequin arms that looked vaguely sexual, a sign with a big number on it, a section of a boat and an upside-down electricity pylon which, because as it's behind a fence in an area that looks like a wasteland/dump, I would have walked past without a second glance had Malcolm not pointed it out to me. Perhaps that's the point. I think it would have a better effect in a green field or in the middle of a London square. Oh, and the information plaques for most of these things are already broken/tarnished. Upkeep/maintenance lacking again.


Moving on... The view down onto the foreshore was lovely – sandy beaches, birds and grasses. Just don't turn round and look O2 and its adjacent buildings which, due to the high blue wire fence, resembles an American prison camp.
Intrigued about the plans for this area we ventured into the Now Gallery to see what we'd understood was supposed to be an exhibition showing how the peninsula will be developed in the future. The strapline is "Where Pioneers Live". That'll be the kind of pioneers who live in luxury apartments and use the Tesco Express and gym on the ground floor, rather than ones who have all their belongings on their back, clean their teeth with sticks and survive on baked beans and bad coffee.
Once inside the building we spent ages trying to work out what we were looking at. The 3D architectural forms that looked like jelly, wood and colourful perspex buildings looked like fun. I doubt that will happen in the UK. You only see that kind of vision in, say, Barcelona. Another white form  depicted the whole sweep of this swathe of land all the way to the City but I couldn't understand what it was intended to mean. It looked nice in a foyer kind of way, but why was it there? What was it supposed to be telling us? And how much had it cost to make?


We entered the viewing room and spent ages trying to get the interactive CGI film thing to work on the tablet (well done Malcolm!) but it had no sound and we spent all the time in there laughing and jeering at the over-sized badly-steered boats, the 2D buildings, the unsupported red walkways, the giant birds and the enormous trampoline! It was fun, but ultimately rather confusing.
I spoke about all this to the girl on the reception desk who explained that this open-to-the-public walk-in area on the ground floor was just about concepts, but if we wanted to know what was really being planned we'd need to make an appointment to go up to the first floor. Aha! So they are keeping it all under wraps. I'd say we can expect another maze of homogeneous high rise glass with a few "iconic" tall things thrown in for good measure.
Hmmm... we then investigated the interactive exhibits to the left of the desk which were supposed to explain the different districts within the peninsula. It was like a playground for adults. And most of it wasn't working.
So we wandered back out into reality and walked the Thames Path to Greenwich.
But I'll save that for another day...