Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

12 July 2024

Update on the horrid revamp of Willen House, Bath Street, Moorfields, EC1– a unique example of architecture from the 1940s

Almost two and a half years ago I wrote this piece about the proposals for the overhaul of Willen House, an unusual 'art Deco' style building in Moorfields. Since then I often take a detour if I am in the area to see what's happening, approaching the building with trepidation, scared at what I might find. With so much time having elapsed, I wondered if, perhaps, the plans had changed.

Here's the building looking fab on Google Streetview in August 2022:

And here's mosaic of some of my photos showing how marvellous it looks when the sun is shing


Earlier this week, I wandered eastwards from Central Street along Lever Street towards Bath Street. The rear of Willen House appeared to be as was (phew!) and the Lever Street side seemed OK:

But, as I turned the corner into Bath Street, I was horrified to see that they've hacked away at the tiles on the corner, for what purpose I do not know. The commemorative plaque stating that this building was opened in 1948 surely meaning very little to today's property developers (see more about this further down). I hope they, at least, keep the plaque in situ.

Moving round into Bath Street, scaffolding was being erected on the Galway Street side: 

I noticed that the interiors were gutted and the ugly secondary glazing has already been removed. Sections of tiles have been chipped away in strips along the front of the building. I wondered why. But what I couldn't find a board or panel showing the plans and contact details for the contractors and architects as is normal in situations like this. 

A bit of sleuthing online and I discover that tp bennett architects is no longer listing this as a project on their site. Instead, Infrasture Investments has instructed Beachrock to create a 208-bedroom scheme at a cost of £60million, due to be completed in 2025 – a scheme that could have been slightly cheaper had they not budgeted so much money on unnecessary paint. A brochure here tells the full story. Whilst I am all for a much-needed upgrade of the interior spaces, I cannot fathom how and why Islington Council's planning department approved the alterations to the main façade.  

I am upset, disappointed, bordering on furious, at the rape of this very unusual building, constructed in the 1940s, a decade when barely anything interesting was built, let alone something of this quality, due to austerity after after WW2. Indeed, I am only aware of a couple of other developments that were constructed in the 1940s, also special in their own way:

1940The Coronet PH, Holloway Road, N7, was originally opened as The Savoy Cinema. Stayed open during WW2. The date 1940 can also be seen on the hoppers on Senate House (on the Russell Square side), but these are later additions being as the building was completed in 1937.

1941 – I'm pretty sure that Russell Square House, at the corner of Woburn Place, was completed in 1941. These government offices were under construction when WW2 broke out. There are some interesting ventilation grilles at low level that, to me, look like Union Jack flags.

1942–1945 – I am not aware of any buildings constructed in these years. However, in 1943, the County Plan For London was implemented.

1946 – The New River Company's Claremont Close housing development, Islington, accessed from Claremont Square.

1947Wall Court, Stroud Green Road, N4. This well-designed housing development was quickly followed by similar schemes in 1948 at nearby Lawson Court, Wiltshire Court and Marquis Court as well as houses in Osbourne Rd.   

1949–1950 – Nothing in my files. But, surely, there must be other residential schemes in other parts of London that I am not aware of, as well as municipal buildings, such as school, libraries, police stations and town halls...? Hmm, I wonder if they were all too busy planning exciting things for 1951's Festival of Britain. 

I am struggling to find any other examples from this decade. Please do let me know if you can add to the list. 

As I have said before, if Willen House had been constructed for/by a well-known name such as M&S there would have been a public outcry, as per the proposals that were overturned in Oxford Street. 

Let me know your thoughts.

7 May 2024

It's a wrap! Marvellous metal in Greville Street by Groupwork + Amin Taha

Last week I was wandering along Leather Lane becoming a bit despondent at how the market has lost its proper 'anything and everything you need' vibe as it was when I worked in the area in the 1980s. I mused that it was still decent street market selling all sorts until the early 2000s. In 2011 I wrote about how London street markets were gradually diminishing. Then Covid-19 hit our street markets hard* and these days all you are likely to find here, or any of the other previously vibrant markets such as Berwick Street or Whitecross Street, is street food, although I'd counter that buying a meal in a box that you need to sit down and eat with cutlery on a flat surface doesn't constitute street food. There are no bite-sized snacks, pasties, or fried locusts on a stick available. Anyway... I digress.

Memories of Lether Lane market got me thinking about the places and businesses that were in the Hatton Garden area in the 1980s when I used to work in Bleeding Hart Yard. This was a name that almost everyone thought I'd made up. No need to swear love! I can't recall anyone back then talking about the bloody legend of the spurned lady. This vague info I had discovered on a panel outside the wine bar restaurant by the same name in the corner of the yard. The pic above is a screen grab from Google dated 2020 and shows a pub on the corner of BHYard and Greville Street. Despite all the info written on the pub's exterior, it certainly wasn't a pub in the 1980s or else I'd have used it! I'm told it was a café, but I don't remember that. 

Today I am more interested in the building on the left side of the street. In the pic above you can see a sample of what was to happen here, attached to the corner as a test piece. I was keen to see how that had evolved. Well, it's marvellous. They've done it again!  As per at Clerkenwell Green and Upper Street

Here we have a mesh surround that allows light through and it's just lovely. I'll leave it at that. Go see for yourself, or find out more here

In 1981-1983, I used to work for a small advertising company in the building that's partially visible in the bottom left picture, though my drawing board/desk was on the other side of the building, facing east.

 *Markets – The big supermarkets offering a one-stop-shop, trollies and car parking, have been a major factor here, and I hear that youngsters are not keen to continue a stall-holding businesses when their costermonger parents retire.

25 March 2024

The Terraces and Textures of Thamesmead

Last month I ventured to Abbey Wood where I attended a guided walk in Thamesmead looking at the architecture and topography of this vast residential area as well as its use as a location for many films and TV dramas. 

It was a grey day. I took a these snaps and made a mental note to return and investigate on a warmer day.

I was saddened to discover that there's nothing left of the lakeside area once trodden by The Droogs which would have been to the left of the orange signage in the pic bottom right, above. And I was amazed/confused that there seemed to be no pubs or cafés or corner shops anywhere, meaning everyone, children, old ladies etc, has to hike all the way to the shops near Abbey Wood station or use one of the mega stores that surround this zone, each one larger than an average sports hall. Mind you, considering the amount of properties here, we hardly saw any other humans at all, except for few dog walkers. I considered that everyone might be at work, but no, it was a Saturday. Perhaps the were all that the mega malls and leisure centres, or simply indoors watching TV or playing computer games?

A few weeks later I went to the Affordable Art Fair in Battersea Park. I was some admiring some paintings and prints of brutalist architecture (ooh the patterns, ooh the grids and lines and geometrics) and began talking to the lady next to one of the pieces only to discover that she was the artist! It's hard to fathom how I'd never discovered Mandy Payne or her work before. To cut a long story short, we got chatting and discovered that we have lots of common interests. We swopped Instagram accounts and within a few days we'd arranged to go to Thamesmead together on Monday 25th March.

Mandy had also been to this part of Thamesmead before but she hadn't seen or known about some of the places that she'd admired in my photos taken in February which I had posted on my Instagram @janeslondon account. She was enthused and clearly enthralled when we reached the raised walkways. As I'd expected, she took hundreds of photos. I took little more than the three above and the ones shown below which are mostly of some retaining walls near the lake that Mandy was also keen to see. They have an amazing crackle-glaze effect, caused where modern paint applied over un-prepped surfaces has shrivelled and peeled to create marvellous textural patterns. 

However, we are concerned that this accidental abstract art won't be visible for much longer. It looks like Bexley Council is planning to paint these walls a boring shade of mid grey, evidenced by a few test squares here and there, as shown below. This shade of grey is light absorbing rather than light reflecting and I've written before about the overuse of this ubiquitous shade of dull here

We also noticed that paint peeling from handrails and metalwork revealed colours of past decades, starting with peach and then blue and green, most recently overpainted in black, Black. BLACK! What's this obsession with monotone? But, on the plus side, the subtle pastel effect created by what I think is different shades white paint is lovely, especially when contrasted with the vibrant natural greens of the healthy moss and lichen that is growing in the cracks and along the tops of the walls.

And then Mandy took me to see something that I'd somehow missed when I had visited the first time. A raised terrace above the convenience store has seating and what I guess could have originally been constructed as structures for basketball hoops. One of them is painted a gorgeous vibrant red (much more exhilarating than black or grey) and the metal seats show a palimpsest of colours throughout the decades


My last two pics, are of some windows above one of the many rows of garages there, designed for cars that were much smaller back in the 1960s and 70s. I was thinking, as I watched the pigeons walk along the roof, that these buildings resembled bird lofts. And then I noticed my initials JP on the glass!
Back to London central on the Elizabeth Line. I returned to Islington and Mandy went to do something in Paddington. As I write this she is on another train heading back to her home and studio in Sheffield. Thanks Mandy, and see you again soon for another brutalist appreciation session!

13 September 2022

Devils, Demons and Dragons

Oh how my eyes roll when I hear that daft story about why these delightful demons leer down over Cornhill in the City of London. If you don't know what I talking about, go google. I mean, really, eh?! If true, why did the clergy leave them in place? They are indeed unique in form, possibly one-offs, but they aren't the only sculptures of this type in London – you need only to look up and around you to see that London is splattered with fabulously devilish embellishments akin to these fellas. And I'm not here talking about gargoyles and grotesques on churches and the like.

To illustrate my point, I've put together here a selection of some of my favourites, starting a few minutes' walk from these little demons. And I'll start at the junction of Queen Victoria Street and Cannon Street where there are lots of strange lumpy lizards:

At first glance the building resembles a triangular wedding cake, but look closer and see that between the windows on the upper floors there are many different dragon-like beasts, each one totally unique as if made by a different person. 

From here, continue along Queen Victoria St to The Blackfriars public house where you'll find these two spooky fellas in amongst all the other marvellous embellishments there:

Next, to another public house, and probably my favourite London demons. Every time I am near Paddington Station I have to make a detour to check that this old Truman's pub with its its unusual adornments is still intact:

Many residential properties built in the late Victorian to Edwardian era feature baying dragons above the front windows. These, I think, would have been available from the equivalent of today's Wickes or Travis Perkins builders supplies store:

And then there are serpents and mythological beasts on door knobs in Marylebone, under windows in Kensington and climbing up many different kinds of buildings, such as here in Chancery Lane:

You'll find them on tiled shop fronts in Kensington, splattered liberally across the exterior of St Pancras Hotel, or lurking within panels and friezes as per here (below) on a Fulham pub, or sitting atop other watering holes in Earls Court and Clapton: 

Aren't they fabulous?! Fantastically fabulous!

2 September 2022

A new architectural style in Spitalfields, E1 - Revivialist Pasticheism

Walking from Aldgate to Old Street last weekend via Spitalfields market, I cut across Wentworth Street and into Toynbee Street. Ahead of me, on the right, I saw an Art Deco style building. I stopped in my tracks – this definitely wasn't there a few years ago and I recalled a ramshackle mess of low-level buildings along that north side, covered in posters and graffiti, as shown below, top left, and here on retrospective streetview. This new building is quite clearly a modern take on the late 1930's style of architecture complete with geometric motifs. Indeed, on the front of it proudy shows 2021. How bizarre.

I contunued along the street to find more pastiche structures in the form of late Georgian workshops, and Victorian warehouses, all with strangely colourful windows frames, and another 1930s-style building in grey tones at the far end. 

I went to investigate the other side of the block in Commercial Street and found that a Jazz Age façade now replaces some derelict low level buildings at the rear/front of the black-tiled building in Toynbee Street. 

What is going on here? If these were reconstructions of the buildings previously demolished here I'd kind of understand the point of it. But that's clearly not the case. This appears to be some kind of showcase of the kinds of buildings you might have found in the area sometime in the past. A bit touristy and cheesy in my view. Sort of like the set of a cartoon movie.

Is it that today's architects run out of new ideas?

What do you think? Do you have any further info?

Next week I will post about two lost Art Deco gems in this area.

20 April 2022

Criminal loss of curved Art Deco windows at Balenciaga, New Bond Street

I am often to be heard talking about how surprising it is that many of the marvellously constructed and well-embellished buildings along Old/New Bond Street are not listed at least Grade II. This, I assumed/hoped was because the kind of companies who trade here are aware and proud of the beautiful buildings in which their products were being sold and they simply look after the heritage they inherit. Indeed, one only has to look at the excellent revamp by Victoria's Secret at the northern end of New Bond Street, where many of the modern shopfittings installed a decade ago were cleverly created with modern products to appear as if they have been there since the 1930s. The outside of that building is stunning, never mind that gorgeous glass staircase inside.  

But this post is about what I believe is criminal damage/wanton destruction at 24-25 New Bond St, on the corner of Conduit Street, where beautiful, possibly unique, curved windows at ground level that meandered in and out of the supporting columns as a wavy curtain of glass, shown above (Google Streetview screengrab) are no longer there.  

This building used to be home to C. J. Lytle Ltd, as shown by this marvellously evocative pic from 1948. More recently, until 2020, this was a branch of Russell & Bromley who made excellent use of the undulating glass as shown above. When R&B moved out, the street level windows were individually covered, as shown in my pic below from Feb2021. Phew, I thought, they'll be fine.

Then Balenciaga took over the building and installed bigger bright green hoardings around the curtilage (I love that word!) as shown here in June2021. I continued to naively assume that this was to protect the lovely windows, that they were simply performing a bit of TLC behind there. I mean, who would remove what surely must be some of the best curved glass in London? 

But last Easter weekend, whilst walking past, leading a guided tour, I stopped in my tracks, exclaimed, "No!" and then had to explain to the group why I was so shocked, even though this was not the subject of the walk on that day.

The gorgeous curves and undulations have been removed and replaced. The windows are now flat and rectangular and the columns have been boxed in. Balenciaga are so proud of their new boxy space that on their website here they call this 'a treat' – I call it a 'blandification' and I think Villanelle, that character in BBC's Killing Eve who has been pictured sporting Balenciaga's expensive boots, would call this renovation "BORE-RING!"

It's amazing that Balenciaga didn't go the whole hog and install chickenshop-style UPVC doors and windows as this is barely a step up from that. I am so upset. But you understood that paragraphs ago(!).

It occured to be that the gorgeous glass curves were very similar to other excellent shop fronts created and installed by Pollards such as here and I was hoping that when those greeen hoardings came down I might be able to fins one of Pollards patent marks embedded in the metal edges. But now that's not possible. And, to add insult to injury, I was convinced that I had taken some good close-up photos of those curved windows a while back when R&B was still trading and these I could include as slides for one of my online talks about Art Deco buildings, but now, frustrtaingly, I now cannot find them. Let's hope they show up and I simply didn't get around to naming the files.

It's a huge loss when cleverly-designed bespoke elements like this are renovated or removed completely. A similar example can be found at No.1 New Bond Street at the Ralph Lauren flagship store, a building that resembles a Byzantine-style palace which, in 1939, was home to The National Provincial Bank, F.W.Woolworths, CondeNast publishing, and offices of the aformentioned C.J.Lytle advertising before they moved to the Balenciaga site later that year. Today the Ralph Lauren store sports plate glass at street level but here's a link to how it used to look in 1955. I do not know when the ground floor windows were altered, although many buildings of this type suffered blandifications in the 1960s and 1970s in an attempt to remove what was then seen as fussy embellishements. A similar thing occured at the Louis Vuitton store, on the corner of Clifford Street but, on the plus side, LV must be commended for a revamp a few years ago when they altered the lower external façade to echo the designs within the upper floors, which is marvellous.

I can only hope that the curved glass windows have been repurposed elsewhere. If I find out more, I will add to this post.

14 January 2022

Please help to save the unusual 'Art Deco' style façade of Willen House, Bath Street

If you have been on my 'Art Deco Shoreditch' walking tour you will know that a popular and provocative stop along the route is Willen House at 8-26, Bath St, London EC1V 9DX

It is such an unusual building because it looks to be 1930s, yet it was constructed soon after WWII, opening in December 1948 as shown within a plaque on the Lever Street corner. For the past few decades the building has been student accommodation and has suffered from a lack of care, the secondary double-glazing being particularly shabby.

Earlier this month, whilst out walking with some like-minded friends, I noticed seven information sheets in the windows of Willen House to the left of the main Bath Street entrance outlining tp bennett LLP's proposed changes for an upgrade to the building. Keen to keep up with my friends, I took some quick phone snaps so that I could read the info at a later date. And a good job I did that otherwise I would have been moaning about it for the rest of that day. The planned changes will effectively make it look like a new structure rather than a carefully-restored and adapted building. To say I am disappointed is an understatement. 

Having checked the 'work' section of tp bennett's website I can find no mention of this project to provide a link for you, so I have included my photos of the info sheets below (scroll down to the end) which, incidentally, were affixed L-R in reverse order which is itself sloppy.

I can also find no reference of these proposals on Buildington, which suggests to me that this is considered a cosmetic change, being that planning permission might not be needed here.

I have written a letter of complaint to the architects (see below) which I have cc'd to other parties who I think should be alerted to this insensitive shambles. 

Please note that it is the original exterior of the building that is worth saving here due to the quality of the products used. The interior was merely open spaces used as offices, storage and showrooms and, as such, would not have been in any way as impressive as the street-facing elements apart from, perhaps, the managing director's office which might have had some of-the-period interior design, but this would surely have been removed or altered when the building was converted for use a student accommodation. 

If you are also concerned about these proposals, please do write a letter of complaint yourself and make this issue known to any other parties you think could assist in preserving this unique and unusual building. 

For an idea of how the grey-washing of this will look, see what has happened to nearby Gilray House

..........................................

tp bennett LLP
One America Street
London SE1 0NE
willenhouse@tpbennett.com
Date: 12th January 2022
Re: Willen House Consultation / Revamp of Willen House, 8-26, Bath St, London EC1V 9DX 

I lead guided walks across London and have a keen interest in architecture, especially the ‘Art Deco' era. One of the most popular stops along my Shoreditch and Finsbury route has always been Willen House, especially when I explain to the group that this is not a 1930s building; that it was actually constructed just a few years after WWII and is therefore very unusual, not only for its lovely warm tones and quality of products used, but also because very few buildings were built at this time and certainly not to this excellent standard using quality products.
Earlier this month, whilst walking past the building, I noticed in the windows some information sheets that illustrate how tp bennett, a company who I have until this point respected and promoted, in the main for the excellent work created and overseen by Thomas Bennett back in the 1930s (such as, for instance, well-designed residential blocks in St John’s Wood and Westminster), is here planning to disguise almost all the original features which make Willen House so special and worthy of preservation.
Willen House is very unusual. There were only a handful of buildings constructed in the 1940s in London. This building has distinct ‘Art Deco’ styling yet, as the plaque on the Lever Street corner shows, it was completed in 1948 and opened on 7th December by W. Barrie, J. P., the then Mayor of Finsbury, hinting at how important an achievement this was to the borough and to the Willen Key Company at that time.
I have long been of the opinion that the Willien Key Company, which was founded in Battersea by James Walker in 1903, and moved to this area in 1923, had already planned and prepared for this building just prior to WWII, hence the quality of the products which would have been sourced or produced beforehand and the speed with which they were able to construct showroom, offices and warehouse. With much of the area devasted by bombs, the company, with their well-made locks and other property protection devices, would have been a business that was much-needed post-war, the products needed to secure homes and businesses in the surrounding area, indeed beyond.
The fabric of the building has indeed suffered since the Willen Key Company moved out and certainly now needs some attention, especially the interior, the windows, and rear of the building. However, the Bath Street façade with its tiled elements surely just need a good clean up. The tiles are now almost 75 years old and have stood the test of time well. The soft warm tone of the building is both delightful and unusual.
What appears to be proposed here is that the Bath Street façade is to be re-modelled and re-coloured to better tie in with the products used for the new build at the rear, effectively adapting the old to visually match modern cheap-to-install products, rather than making the new additions tie in with the quality and colour of the existing structure.
I am appalled and very disappointed to see that the plan is to cover, and therefore eradicate, the lovely warm beige tones that evoke a Mediterranean sunset, as well as the soft fluted tiles and the unusual chocolate brown double-stripe detail that frames those areas, in dull shades of monochrome that will over time become even more grey and dull, especially on dark or cooler days.
The integrity of Willen’s original building will be lost of these changes are implemented. A reference is made to the changes being “a nod to the past” and that the aim is “to refresh and enhance” yet it is evident that what we see here, is not a sympathetic renovation but a complete makeover that will make the building look like a pastiche of the streamline-moderne, such as in nearby Bunhill Row.
I have been advised that the proposed renovation has an approximate life of 10 years and that pale-coloured renders on north/east-facing walls are prone to patches of green mould during the first winter, producing an on-going suede effect. Application of this unnecessary coating will require damaging the surface of the tiles to make a key, whether by sand-blasting or abrasion, thus ruining them forever. This is irresponsible and far from eco-friendly in many respects. We need only to look many reclaimed pub and shop façades to clearly see how the scars made by paint application and its subsequent indelicate removal processes have caused irreparable damage.
As regards changes, additions and renovations to the rest of the Willen building, I agree that the windows are indeed in need of replacement. However, there are many good quality double-glazed units available these days with fine, thin, profiles/frames, both Crittall-style metal or UPV.
I am keen to know if the plaque on the Lever Street corner will be retained in these renovation plans, as surely it should be. A similar unsympathetic ‘white-washing’ of the past can be found in nearby City Road where Buckley Gray Yeoman’s external renovation of The Epworth Press building uses a too-bright iridescent white coating over the original soft ivory/natural-coloured faience tiles. It is ironic here that the iridescence does not sit well with the natural colour employed by the architects for the additional upper floors.
Conversely, for a reference of how renovations of this kind can be sympathetically achieved, please see this example at The Drapery, by Brooks Murray Architects where a once messy site has been cleverly adapted and repurposed to marvellous effect.
I look forward to your reply, or at least an acknowledgment of this letter

Jane Parker / www.janeslondonwalks.com / jane@janeslondon.com / @janeslondon

I had no idea 'materiality' was a word until I read this – try saying it out loud – it's almost impossible!

12 October 2021

Return to Romford – the changing face of an Essex market town

Two months ago I wrote that in mid-August I made a return visit to Romford, the Essex town I grew up in, to see how the market and adjacent streets had changed. When I started to write about it on here I didn't get further than reminisciences here about my time there as a child and teenager and I have now finally found the time to return to the subject and write this update. Though, er... this is probably longer than that first missive. Hold on to your hat, pour yourself a glass of something, sit tight, and read on...

Pre my re-visit, almost everyone I spoke to about it told me how disappointed I would be when I got there. 'Prepare yourself', they said 'you won't like it, it's awful'. Well, it turns out I was pleasantly surprised. I had expected change. That's normal as regards 'progress' but it was nothing like as bad as my friends had intimated. As it turne out, I really enjoyed going back, seeing things I had never noticed before and looking at how the area has evolved.

When I exited the station, the sun was shining, the sky was blue, and I had a real sense of belonging being as most things looked familiar. Glad to see that Hollywoods, the big nightclub that had been built on the site of the coal yards in the 1980s, is now gone. But not plased at the loss of the ABC cinema further along South Street which reminded me of my junior school friend Lynne who lived in Regarth Avenue at the side of the cinema. Memories too of dressing up to look older to be able to get in and see some movies – successful! 

Looking around now I can see how much of the station area was reconstructed in the 1930s including the building shown above where Hayley, my NewZealandish* junior school friend lived above the shops with her family in a one floor apartment accessed from the rear via an alleyway. As a child I thought it was so modern! 

As I turned into Victoria Road I noticed more 1930s buildings near the junction with the station interspersed with Victorian and Edwardian houses converted into shops as the road continues eastward. The street was a delightful revelation to me now, a patchwork of architecture I had never noticed in the past and many of the buildings were still recognisable as the ones I knew as a child, albeit adapted.

Memories kept pinging back to me. I didn't like the butcher's shop at the station end of Victoria Rd because when I was young, perhaps 5-7yrs old, Alf the butcher would make too much of a fuss of me and try to pick me up. I hated it and would prefer to stand (hide) outside next to my sister Anna in her pram or push chair waiting for mum, rather than risk his attention. However, on the other side of the road there was Robbie's the toy shop (see Stumbras pic) I fondly remember it being absolutely packed to the ceiling with tempting things. Here I bought Matchbox cars as presents for my sister – she loved the ones that had moving parts such as Tow Joe and Piston Popper. She still has them all – carefully stored in their boxes.

There was a lovely baker's shop further along here, a homewares shop run by school friend's parents. And, still into the late 80s, there was a row of three or four functioning chocolate bar dispensers on the wall outside the sweet shop.  

I made my way up the road. As I crossed King Edward Road I remembered Theresa Edward's damaged and dislodged fingernail and how we were all fascinated by its progress (kids eh!) and this threw up other names in my junior school class – Belinda, Susan, Tracy, Dawn, Julie and Sandra – thinking how these are all names of a certain era not given to new borns this past decade. Jane too. Ah but things are circular and our time will again come. Ditto Barry, Malcolm, Glyn, Keith, Gerald, Neil and Kevin. I crossed
George Street and, as I did, I suddenly rembered my favourite teacher from when I was eight years. Mr Cooper taught us about english, maths and geography but also got us back-flipping, hand-standing and walking upsidedown like a crab, and inspired by him I somehow achieved three BAGA gymnastic badges. Ah to be age 8 again. This is the age I think designates what we will do, or should be doing, for the rest of our lives. For instance, at that age I was so inquisitive and keen to learn. I was into everything. Questions questions. Give me a project and I would produce a magazine with articles and pictures. Butterflies. Disney. Trees. Moaris. I remember hurling myself into all of these things like no other child in the class seemed to be doing. I suppose you could say I am still doing that now! 
A few paces across the junction, I passed the site of Bevin's the hardware store (I fondly recall the man's gentle and helpful demeanour) and the PDSA where we took our dog a few times to be treated. I looked across the road and was delighted to see that WetPets is still going strong decades later! This was one of my favourite shops – a nocturnal indoor world of colourful aquatic animals. We had an indoor fish tank in the living room and often went to there to buy new tropical fish, plants, gravel, specialist food etc. I think Twins wedding shop next door has been there a long time too, though it's not somewhere I would have ever need to venture inside(!).  
I turned into Albert Road, passing the Victoria pub on the corner which still looks to be doing well. I don't hink I ever went in there more than twice, and even then I was probably only looking for my dad. As a child, I didn't like my street because I thought it was a mess compared to everywhere else I knew. It was a mix of all-sorts, like a trial zone for testing housing styles that would be better implemented elsewhere. My friends lived on nice uniform streets where the houses were almost the same. Why not us? 
Oh dear. Silly me. Today I absolutely love streets like this as they show the changing face of the area, the local history. This street and Victoria Rd (Duh, check the street names!) are obviously some of the first-developed streets in the area and hold the clue to so much. At the Victoria Rd end there is still a short row of late Georgian brick cottages and, apart from some replaced windows and paved front gardens, they've not really changed much. Opposite that I recall there was a petrol station for a while which backed onto a large Victorian detached house, set back from the adjacent streets where, in the 1960-70s my schoolfriends Mark and Belinda Francis used to live. Happy memories of going there after school. I loved that house and the way it was accessed via a little footpath off Shaftesbury Road. All gone now. I am sure Mum used to say that she thought 48-50 Albert Rd was the original farm house of the area when it was all fields, but it's hard to make that out now.

I approached Manor Primary School in the middle of Albert Road. Our house was two doors to the left which meant, even though I loved school and was keen to learn things, that I could leave the home at the last minute. I'm sad to see that the red brick school buildings are today boarded up. It hasn't been a junior school for decades. For a while it was the Century Youth House. I hope it gets repurposed soon. 

As a small child I fondly recall using the local shops in the street and at the end of the road. There was a small family-run provisions shop sort of opposite Shaftesbury Road, next door to a hairdresser which I now see is a dog groomer. A few doors along from us, approx at No. 53 was a greengrocer where I often went to buy 4lb of King Edwards, plus carrots and other veg in a bag made from deckchair material. Next door to that was a something to do with transport, I think, and I recall a yellow Scimitar car and some people who had four unruly but beautiful saluki dogs. 

At the other/Hornchurch end of the road, I used to love going into Speights the baker on the corner of Brentwood Road and Park Lane – the queue, the lovely staff, the smells, the bridge rolls, the split tins, the cream slices, the fanned-out stack of tissue paper. The building is still there with a Vitbe bread sign attached (Vitbe was an attempt by Allied Bakeries to compete with Hovis).

This is still a good parade of useful local shops today which includes a fish and chips shop (I recall the long queues on Fridays!) and Sovereign motor spares which is still in business, but Blands the grocer is long gone (part of VG Stores). Ditto Mr Harris the pork butcher just round the corner in Park Lane. I recall him all spick and span in his butcher's straw hat and stripey apron. I can hear his jolly voice in my head right now and his ha ha ha laugh. I really enjoyed watching him make chains of sausages. He won awards for them and they were indeed very good and spoiled me for other brands which were never up to his standard.  Oh, and how could I forget Nan's sweet shop at No.89 at the end of Albert Road? Rows of tempting tall sweet jars on the shelves and lots more fab stuff on the counters. A quarter of nut brittle, a quarter of toffee bonbons, some licquorice string, a packet of sweet cigarettes and a Curly Wurly please! The staff in there were lovely. One of the ladies had an amputated arm though I tried not to look at it I was fascinated how she still managed to hold the jars and fill the bags. I thought she was beautiful and really tried not to stare. 

From Albert Road I made my way back down to the station via Eastern Road, walking past where a long row of impressive Victorian villas used to be. As an art assignment in 1978/9, Mr Lloyd had sent a couple of us there telling us that these old family houses were due for demolition. At that time I just didn't understand the significance or why I should care. Perhaps Mr Lloyd knew that one day this would be something that would indeed interest me. I've dug out my sketch book which contains a few of my efforts including this felt pen version. Within months of this, the houses had gone and were quickly replaced by characterless office blocks containing insurance companies and the like.
The end of Eastern Rd meets South Street at the station. There is an impressive Art Deco style building to the right that was constructed by Times Furnishing and is today a Co-op grocery store. I recall the furniture store as a landmark but don't think I ever went inside. Perhaps Mum or Dad had pointed it out to me as a comparison to Harrison Gibson's furniture store in Ilford which is where they both met and worked before they married. The Times building is looking fabulous at the moment even without the ground floor walk-through windows that used to be there. The 'T' for Times motifs at the top of the vertical fins are still clearly visible.
However, the Odeon cinema next door, also built in the 1930s, is barely recognisable today with hardly anything left on the exterier to hint at it once being a movie house. I recall long queues here too, all the way along the side street down to the gorgeous brutalist spiral of the multi-storey carpark which, I'm pleased to see, is still there. Who'd have thought 40 years ago that I would one day be singing the praises of a vehicle access ramp?! And I remember my friend telling me that her sister dragged her to this Odeon to go and see someone called David Bowie. We didn't have a clue who he was, yet years later Hunky Dory and Ziggy Stardust were the favourite cassettes to play in our first cars.
It's odd that I remember the Times façade but not these other 1930s buildings further along on the other side of the road. This would have been a keeping up with the zeitgeist effort in the interwar years – look at us; we're still current, we're moderene! Today this stretch is mostly food outlets, charity shops and chain pubs. In the late 70s into 80s it was a similar thing, exc the pubs with McD's (still there), Wimpy and Golden Egg (both long gone, though they could have been the same site), Pizzaland (where I enjoyed the half pizza with salad option rather than the slimy puffy things available over the road at PizzaHut, also long gone). There were also a few independent clothes shops here, specifically Bobby Summers, an alternative men's fashion boutique where my mate Paul worked on Saturdays and used to show up at school (6th Form) wearing some quite unusual pieces. Basically, if Spandau Ballet had hailed from Romford, this is where they would have shopped. Up at the junction there was Shirleys children's clothes and school uniforms (this might be the same site that became Pizzaland). And just round the corner was the Locarno Snooker Hall where Steve Davis honed his skills.
Lots of this was still discernible on my return visit – I walked into the pedestrian area of South Street and recalled
Ratners jewellers on the right hand corner (oh Gerald, you ought not have said that!) and, a few doors up just by the Post Office, the opening of Bumbles burger restaurant by Radio One DJ Ed 'Stewpot' Stewart c1974. Above No.93 I noticed a letter 'N' embedded in the façade – I wondered what shop that might have been. If you have any ideas, do let me know. But I moved on. Further along there's another Art Deco era shop at FootAsylum and I think this was either Lilley & Skinner or Trueform, both shoe shops.
In the 1970s, FU Jeans shop was on the right hand side close to the access to the modern shopping precinct. FUs had a definitive style with machined vertical lines on the pockets, up-to-the-minute styling and the jeans material was different/stiffer from the well-known brands which were available from another excellent jeans shop just down the road within the Quadrant Arcade – an independent shop lined in wood, evoking a log cabin where they stocked Lois, Falmers, Lee Cooper, Lee's, Leroy and more. I've always found it odd how so many jeans brands begin with the letter L; probably due to Levi's...?
The Quadrant Arcade entrance on South Street used to have Dolcis on the right side where WowFactor is today.
In the 1980s, Next appeared on many UK high streets and took up position in Romford at the left hand side of this entrance. Mum and I thought that Next was a hideously bland notion for people with no ideas of their own, offering capsule wardrobes and accessories for the aspiring middle manager of both sexes in a one-stop-shop experience. Today Next is one of the great High Street survivors, probably due to the quality of their products. 
And so to the Quadrant Arcade, a 1930s construction that must have been very plush and mdoern when it opened. In the 70s, one of my schoolfriends had a Saturday job in the arcade, at Tito's Italian restaurant café. At that time I found the arcade to be dark, dingy, old and out-of-date and I mostly used it as a cut-through to other places – it had certainly lost the attraction of its moderne 1930s heyday and, apart from the aforementioned jeans shop, there wan't much in there to attract a teenager, being as this also provided the back entrance to the fuddy-duddy middle-aged polyester zone of the Co-op's women's dept. Ah but no one appreciated the 1930s in the 1970s. I'd love to  be able time-travel to that era now (actually, both the 1930s and the 1970s) to see what I missed – I'm sure I'd now find it to be absolutely delightful. Actually (update), as I write this I now remember as a very small child we often bought flowers for Grandma from a florist near the centre of the arcade adjacent to where I am pretty sure there was an access door to another large/department store that faced onto the market. I think this might have become Keddies...?
Back to South Street, opposite the arcade. In contrast to my teenage years, these days I'm all about looking up, looking around me, noticing those little snippets that hint at local history
. This means that on this return visit I looked at things with a different eye, noticing buildings and details that had never been on my radar when I lived there, such some hints of early C20th interwar façades at the southern end of South Street on the right hand side just before the market. Also, this building (right), today a branch of the Halifax. It's an elegant construction but I am torn as to whether it's 1930s or 1950s. Does anyone have any idea who it was built for? It also sports a strange metal canopied arcade along the side edge and this intrigues me because last week I read somewhere that the some of the metal supports for the arcades that used to line Regent Street were relocated to Romford when the street was rebuilt in the 1920s. The article referenced them being re-sited somewhere along the market, but I am now wondering if these are those salvaged elements. Again, any further info is welcome.
This side road by the Halifax leads to what would have been access to the Romford brewery buildings at the rear of the White Hart pub. Which reminds me – the stink of Romford's Ind Coope Brewery where they brewed Double Diamond, Oranjeboom and others. Whatever they cooked up on a Tuesday was hideous – it hung in the air and stuck at the back of my throat – ugh.
So, with time to spare before I was due to meet my friends, I wandered round into the High Street and continued all the way to the end, almost to the roundabout, where it meets Waterloo Road and the London Road, and I turned and looked back. I tried to imagine how this busy thoroughfare was originally the main route eastwards from London taking traffic along here and through the market then along the old Roman Road to the Essex coast. The view shown here has been almost the same for about 40 years – an interesting brutalist design church and a selection of independent shops including a barber, a couple of charity shops and an antiques shop etc set below post-WWII flats. 
The old Angel public house, just beyond the church, is still standing and displays a lovely old tiled panel advertising Romford's brewing heritage of Ind Coope's Ales & Stouts to nobody inparticular. The sign might be the largest of this kind I have seen. As regards the pub itself, I can't recall ever going inside. Or perhaps I did. By at least 1990 it had been converted into a nightclub. I wonder what will become of it next.
The main entrance to the brewery site is oppostite The Angel and faces north between the church and the market place.
The huge metal gates were once used by draymen steering carts laden with ale pulled by powerful cart horses. Today, if you walk through these gates, you will feel you've somehow managed to travel to a different location, because beyond here it resembles out-of-town retail zone – it's a huge car park surrounded by the big guys such as TKMaxx, Boots, plus other outlets and homogenised entertainments. This is the kind of 'progress' that depresses me.
Further along the High Street, closer to the market, I noticed that part of the brewery buildings now houses the Havering Museum. It's a big shame that when I was there, on a Saturday, it was closed. Taht's bonkers. I must go back to have a look in there. Perhaps they can answer my question about the Halifax canopy?
A favourite Romford pub of my early drinking days in the late 80s was The White Hart in the High Street which at that time faced Woolworths and High and Mighty (both gone). It's closed as you can see here, but external evidence of how this was once a marvellous old coaching inn and an integral part of Romford's history is still visible. As 6th formers we loved hanging out in the wood-panelled room at the rear – it simply reeked of history. You could imagine the coaches arriving and the horses whinnying as they came to a halt and were led to stables at the rear. By 1980 the pub had been gutted and remodelled as The Bitter End, a ridiculous theme pub. I was appalled. 

And so to the market. I had been pre-warned that it would be a dribble compared to its vibrant past. But it was OK, a pleasant surprise, especially considering the past 18 months. It wasn't anywhere near the densely-packed environment that I experienced 30+ years ago but there was still a good diversity of products available.
I met with Susie and Sal and we walked a bit more around the market a
nd the handful of old buildings adjacent to the church and the Rumford shopping hall, whilst sharing stories, observations and remembrances. I stupidly didn't take photos at that time so the image shown one is from later in the day when the traders were packing up but it still gives a sense of the space, and also shows the other entrance to the Quadrant Arcade building.
 
At the top end of the market the Bull's Head public house is still there, which is great, but I don't recall going in there very often – back in the 80s we preferred The Lamb next door to Lloyds (to the immediate left in the pic above, but out of shot) because it was more intimate and attracted a cross-section of ages and personalities – market traders and old fellas having conversations with punks and librarians at the bar. It still appears to be doing well.
There was also the Kings Head which was a late-70s build (I think) as part of the shopping precinct at the far end opposite the new Sainsbury's supermarket (which mum correctly predicted would bring about the end of the independent trader and the market. She was also right when she predicted that free plastic shopping bags would also cause problems). As a late-teen I really didn't like the King's Head. It was named after the [old] King's Head pub that had been demolished on the market place, sort of where Habitat used to be. This new one was designed like a dodgy nightclub and attracted mostly underage kids wearing the latest cheap and hideous fashions. Even at age eighteen I would go in there and feel old! But I suppose at least the police knew where everyone was. Had they raided he place the clientele would have scattered far and wide. 
My friends and I  peeked in through the windows at the cavernous shell of what used to be Debenhams and also recalled
Littlewoods, Keddies and C&As and then it was time for some lunch. Our hostelry of choice was The Golden Lion where we were joined by Gill, one of my dearest schoolfriends from my 6th form years. We sat outside in the "Secret Garden" at the rear, which wasn't really a secret being as it is advertised on an A-board outside. It's basically the pub's old deliveries, storage and parking area recovered in fake grass** but it's a great place for a few al fresco drinks and pub grub. The Golden Lion, a historic tavern, is one of many pubs that likes to say it was a stopping point for Dick Turpin – boy, that man covered some ground! The exterior still evokes bygone times with its horizntal weatherboarding over warped walls but the inside has undergone many adaptations – back in the 80s-90s the interior must've changed about four times – it seemed that every time I went in there, the bar had moved from the centre, then to the left and to the right. Again, the back room was always the best place to be when I was in my late teens and early 20s. 
It was great to catch up with my girlfriends in 2021 and, of course, one drink turned into three. At about 5pm we said our goodbyes and wandered off in different directions. 
I then made my way into The Liberty, the central shopping area, only to discover that it's been completely covered over and is now more like an airport or train station, with no individual identity at all – the boxy fountain and outside spaces are long gone. I was also amazed to find that the shops were closing at 5.30pm which I thought was strange for a Saturday but I was later told that it's because the town  has a very busy nightlife and the powers that be seal off the whole shopping precinct. Oh OK. And ugh.
So I instead went for a walk around the around the municipal buildings and gardens at the lower end of Main Road, adjacent to the library and town hall. 
It turns out that Romford Town Hall is now Havering Town Hall. Considering how often I had walked past this (see school section at the end) I had never before taken in how beautifully designed it is. Municipal buildings are often overlooked. I walked the full circle, looking for a foundation stone with information about the architect and date, but found nothing. 
I then entered the memorial gardens and reaslised that this was probably the first time I had never set foot in there! As I wandered further up the road and saw the police station, I remembered going there (ooh 1973?) with many other schoolkids to see Mervyn Day, goal keeper of West Ham FC, to get his autograph. To be honest, at the time I had no idea who he was and didn't really give a hoot about football, yet for some reason I occasionally wore a claret and blue scarf, though it was mainly white with thin stripes. That's teeanagers for you. Fitting in and all that. I didn't even like that scarf!
It was now coming up to 7pm. I needed to decide whether to find somewhere to eat and drink or to head back home. I made my way back towards the station through the market and along South Street.  The cavernous pubs run by well-known chains such as Yates and Wetherspoons were already busy. Some people were obviously enjoying a drink after a day's shopping, and others, by the sound levels and colourful language, had been there all afternoon. Many more people were approaching, dressed as if they were on a Med holiday. Compare this to the Romford pub scene of my youth which consisted of a few old regulars, a handful of punks, three goths and a five people having a pint before the pictures. 
Just before I reached the station I glanced to the right. At the side of the railway tracks there used to be a narrow footpath known as 'the battice' that ran through to Waterloo Rd alongside the brewery site. Most evenings, usually Fridays and Saturdays, there was a man selling tasteless burgers and hotdogs from a white hand cart here – he was an enigma because nobody ever saw him arriving or setting up. Ping! He was either there or not there. Well, he wasn't there this time. Not that I would have bought anything from him if he was there.
A super-fast train arrived within three minutes of me reaching the platform and I was back home in north London just after 8pm. Wow! What a great day out. It took me much much longer to write it all up that it did to experience it.

Other thoughts, memories and observations:

The Romford Carnival – wow that was good when I was a child. A long procession than went down Victoria Road where we stood waving streamers and blowing horns at the floats and bands such as The Romford Drum and Trumpet Corps. We then went over the railway bridge and through Lodge Farm Park to see it all again from Main Road before the procession went into the park and ended on the football fields at the rear of Raphaels Park. Then a couple of days of the fair. It was bloody marvellous.

The Victoria Hospital in Pettits Lane. This was much smaller than Oldchurch, the main hospital. I am amazed, considering the extent of demolition elsewhere that these buildings, where mum went when she had appendicitis and I went to have my tonsils extracted, are still standing almost unchanged.
The same cannot be said of my school buildings. I was the first year of the comprehensive system (something else mum wasn't happy about). I went to Marshalls Park school which meant 3 years at the Lower School building (previously Pettits Lane Grammar) and then the rest at the Upper School (previously Romford Tech, which is where I would have gone had the 11-plus not been scrapped). The latter, complete with modern outbuildings containing  then state-of-the art science labs, art rooms and cookery departments, was demolished and replaced with housing abut 20 years ago. These mock-Tudors houses in Havering Drive are where the entrance to the school used to be and I notice that the tennis courts that used to be opposite have also gone. There are some pics of the old school on The Marshall Park Academy site.  
 
The Dolphin centre – a rubbish swimming pool with a stupid wave machine and pyramidal roof.
 
The massive pale blue gas holders by the railway line at the end of Crow Lane. Impressive landmarks. Now gone.  

Downtown Records in Lockwood Walk was excellent.    

Big events in the market – top celebrities and TV stars such as Anita Harris (oh yeah!)

Romford nightlife in the 1980s. Not much worth mentioning. Not sure there was anything. We mostly took it in turns to drive somewhere or got trains/buses to other places such as Chadwell Heath (aargh what was the name of that place?), to Seven Kings (Lacy Lady), Ilford (a few), and many others, or the other way out towards Brentwood and beyond. Romford did boast The Rezz, in North Street, sort of below Caxton's bookshop and a furniture store – a fab venue for alternative and live music on Wednesday nights. By the 90s both cinemas, the ABC and the Odeon had failing attendances and the latter was converted into a two-zone nightclub called Time/Envy. I went in there with a couple of friends in the late 90s. We managed 30 mins but all felt the need to run away. 
 
If you think I've missed something, I might have mentioned it last time here

*There is no word for this! 

**Are we not trying to rid the world of plastic?