29 March 2020

Endangered Species by Barry Baldwin on Grand Buildings

Blimey!  How did I not notice this until last year?
Trafalgar Square is a busy junction that I usually walk through or round quickly as I play 'dodge the tourists' but last summer I stopped in my tracks when I noticed something for the first time that's been there hiding in plain view since Feb 1991 – the entrance between Prezzo and Waterstone's at 31-32 Northumberland Avenue is absolutely slathered in marvellous details. 

Around this arch there are panels containing Adam and Eve surronded by seventy different animals from all around the globe such as a gorilla, an owl, a lizard, a bear, a zebra, various birds and sea creatures. And, as you can see from above, there are flowers, plants a trellis and a factory too. A hand at the apex of this arch appears to hold a horn of fruit. And there is watch on its wrist which I told is showing 'the eleventh hour'.
Three pics stuck together here
I hunted for an artist's mark but all I could find was a foundation stone for the building showing that Grand Buildings is a Land Securites development by architects Sidell Gibson Partneship, constructed by Higgs and Hill on the site of The Northumberland Hotel.
The archways continue to the beginning of The Strand and each one has a different carved head at the top. Some are winking, some are gurning, one wears a tie, another has a spotty scarf, all are rather strange. I am at aloss as to who these people are supposed to be.

I always like to end with a link for more information. Well, blow me down if my mate Peter Bertoud has also written about this and begins his piece with practically the same opening line!

Barry Baldwin
Barry Baldwin's Facebook page

15 March 2020

Odeon Holloway – update on renovations

The Odeon Holloway is being renovated.
The info boards around the hoardings show that they are reinstating much of the original Art Deco colour sceme and re-opening the restaurant area on the frst floor behind the big tall windows.
That's great.
I was hoping that free-standing letters on the exterior as per when it was a Gaumont cinema (see below). Or some big neon letters would be nice.
But recently the new street-facing signage was revealed:

Odeon Holloway Road, N7, January 2020
Oh how disappointing. An opportunity missed. How is this Art Deco style?!
Odeon's designers have made use of the space that was originally intended to advertise the films or events that were on.
OK, that's fine, but they have lazily inserted a bland blue panel with their brand lock-up slapped in the middle, restricted in size by its height. Yet there appears to have been no thought applied to how the available space can best be used and how the signage can fit within that space. This lazy approach is sure to be happening on their other sites too.
I have been working on signage projects for years and, if this was the panel was the only option, then it could have looked so much better. I'd have made the ODEON letters almost twice the side and then slipped in LUXE* underneath with rules either side rather than above and below.
These days we have laser cutting and digital technology, LCD screens/lighting and moving graphics, so couldn't something more evocative have been installed?
Anyway, below is a pic of how the cinema looked back in the year it opened.
And lots more pics here:
1938
*I assume this means luxury and in those big sofa-style chairs with receptacles for drinks etc. Call me old-fashioned but prefer I like to sit properly on seats/chairs. I find the new seating uncomfortable.

2 March 2020

Carved reliefs by G. Herickx at Cecil Sharpe House

A couple of weeks ago I went to an interesting exhibition at Cecil Sharp House, the home of english folk dancing, in Camden NW1. The building is fairly nondescript and belies what goes on inside.
It was first built in 1929 by architects Henry M. Fletcher and Godfrey Pinkerton and at that time was thought to be very modern which seems at odds with folk dancing which keeps old traditions alive.
During WWII the building suffered bomb damage. John Eastwick-Field and Hugh Pite were engaged to make renovations and extensions and in June 1951 the building was reopened by HRH Princess Margaret.
It was during the post-war revamp that six lovely carved reliefs were added around the entrance, three on one side and three on the other, depicting old english dancers, musicians and revellers. A signature at floor level shows the artist as G. Herickx. I particularly like the man on his hobby horse – he looks so stern, so serious compared to the others!


I tried to research the artist in the hope of finding his carvings elsewhere. Nothing of this kind but I did find a Geoffrey R Herickx who, with a name like that, just has to be the same person. Sources say he was born in Birmingham (but when?!). He painted pastoral/english scenes then, in the 1980s, he produced a series depicting aircraft in flight. He now specialises in miniatures. If this is indeed the same person we can assume that if he was in his early 20s when he created these six panels he will be almost 90 by now. If you have any further info please do get in touch. 

As for Cecil Sharp House – there's always a variety things on offer with many different kinds of dance classes, not just Morris, such as tango, clog and salsa. Plus there's live music, workshops and more.
More about what's on at CSH here.