Last Monday, wandering up and down the streets between The British Museum and St George's church, Bloomsbury, wandering into shops and galleries (galleries are shops too!) behaving like the rest of the tourists around me, I spotted a few oddities along the way, in the form of street furniture and details on buildings. Most of these can wait for another day but here I am going to talk about a few coal hole covers I spotted, one of which I think might be the oldest I have ever seen or, simply the most intriguing.
Turning into Museum Street from New Oxford Street there is this fairly modern building at the corner.
It looks to be 1980s/90s in style and it's strange that I had never before noticed it. This kind of thing often happens on my guided walks when I show people a huge Art Deco era building and an attendee who lives or works in the area tells me it's the first time they have seen it, often asking me how long it has been there (d'oh!). Basically, we simply walk past walls without looking up as we scurry from A to B.
Had I not been snooping around looking for a date stamp on this building (nothing found) I probably wouldn't have revisited the first of a row of coal hole cover plates which was partially hidden by racks of souvenirs (shown below right) – the left image is the a view looking back southwards to the top of the street.
Either there were multiple entrance doors along here giving the appearance of a row of terraced houses with each door adjacent to a coal hole plate or there a couple of entrances at street level, the coal holes being accessible at various points below ground.
Diagonally across the junction there is Ruskin House at 40-41 Museum Street, bearing an ornate hanging sign that includes the name of George Allen & Unwin, a publishing company founded in 1911.
In the googled pic above you'll notice a side doorway with an in-wall boot scraper to the right of it. To the left of that door is what I think might be a very old coal hole cover. The white snakey thing is an air-con extractor.
The companies listed here a in the 1880s include Edward Morrison, inspector of weights and measures, and James Brodie who was an ornamental human hair manufacturer, which I assume means he made fancy wigs, perukes and toupées.
That's as far as I've got. If you have any further info please use the comments section below or contact me via janeslondon@gmail,com
I'll be back with part three of my musings in the museum zone in a few days' time – you can expect mosaics and mastic, man holes and more metal
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Thanks, Jane